Porcupine quillwork of the Central and Northern Plains Indians

Abstract

Porcupine quillwork of the central and northern Plains Indians is the focus of the present study. Collections abound with examples of this decorative technique, yet a survey of the related literature reveals a paucity of publications specifically on this aspect of material culture. This thesis is an attempt to fill part of this void. The archaeological, historical and contemporary status of quillwork is examined. Its technical, social and religious nature is discussed, as well as design. In addition to this, the decline of quillwork upon the arrival of the glass trade bead is outlined. These many facets of the craft are explored in order that a total picture is seen, for quillwork is an expression of the people, time and environment that played an integral part in its creation. It is my goal, that as a study of material culture, the relevance of this thesis may be felt by the museum world and, to a lesser degree, by modern anthropology. For the former, it serves to identify Plains quillwork, the specific techniques used and standardizes the terminology used to describe quillworking techniques. To the latter, it is illustrative of concepts such as acculturation and it uncovers areas where more research is needed.