Genesis ad Apocalypsin

Abstract

Genesis ad Apocalypsin is a chamber music composition that delves into themes of creation and destruction, drawing inspiration from biblical narratives and contemporary global crises. Scored for bass clarinet, horn, percussion, harp, violin, and cello, the composition spans eighteen minutes and offers a sonic journey that reflects on humanity’s influence in shaping the fate of the world. In light of recent societal challenges such as pandemics, natural disasters, wars, and environmental degradation, these crises—largely driven by human ambition and neglect—have forced humanity to confront the consequences of our actions. As an artist, I found these issues to be deeply thought-provoking, inspiring me to create Genesis ad Apocalypsin as both a musical exploration and a call for reflection. The title, derived from Latin, meaning “Genesis to Revelation,” captures the cyclical nature of existence. The work mirrors this journey: beginning with Genesis, symbolizing creation, harmony, and fertility, and progressing to Apocalypsin, which represents destruction and chaos. The composition opens with a sense of order and purpose, much like the biblical Genesis, before transitioning to Apocalypsin, which evokes the catastrophic imagery of the Book of Revelation, depicting war and societal collapse. Divided into two sections, Genesis and Apocalypsin, contrasts light with darkness, harmony with discord, and reflects on the human condition. Through extended techniques, dynamic contrasts, and layered motifs, the music portrays the fragility of existence and the urgency for change. Ultimately, Genesis ad Apocalypsin serves as a poignant reminder of our responsibility to protect the planet, urging reflection on the choices that shape our collective future, and emphasizing that while destruction may seem inevitable, redemption remains possible through awareness and action.