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Figuera: Traversals of Gender in Interactive Fiction

dc.contributor.advisorForlini, Stefania
dc.contributor.authorOsborne, Heather
dc.contributor.committeememberLai, Larissa
dc.contributor.committeememberCamara, Anthony
dc.contributor.committeememberShepherd, Tamara
dc.contributor.committeememberMohanraj, Mary Anne
dc.date2018-06-08
dc.date.accessioned2018-01-05T00:17:17Z
dc.date.available2018-01-05T00:17:17Z
dc.date.issued2017-12-15
dc.description.abstractFiguera, a speculative interactive fiction game, uses the digital authoring system Twine to build a multilinear narrative. This work emerges from a tradition of feminist and queer authors, including New Wave science fiction writers Samuel Delany and Ursula K. Le Guin, and Twine digital game creators Anna Anthropy and Porpentine. Figuera acts as a critical fiction by joining what bell hooks terms a community of resistance: the Twine revolution, a school of queer and trans digital game creators who express their lived experiences of marginalization through digital games. Playfully transgressing the connection between the material body and gender identity/expression, I work to decenter dominant narratives by disrupting default novel-reading strategies. My game depicts a secondary world in which families assign their children’s gender at age fifteen, a world inspired by Judith Butler’s theories of gender performativity. Three narrative strands follow young people whose queered gender expression clashes with their families’ wishes. In contrast with the non-linearity of postmodern hypertext fiction, Figuera uses digital constraints to maintain continuity and promote narrative closure. Unlike traditional interactive fiction, Figuera guides readers with links rather than text input. The work’s visual design echoes the aesthetic of the Twine revolution, while my invitation to readers to intervene creatively with the text matches the Twine revolution’s goals of accessibility and open expression. Readers may perform multiple traversals of the text; the different narrative strands act as motifs for the work’s themes. The text offers the reader meaningful choices: the reader can navigate to discrete endings. Each narrative line contains deliberate gaps, such that multiple readings are required for a richer understanding of the characters and the world; the game’s structure rewards playful, explorative, and repeated readings. In form and content, Figuera expresses a feminist and queer politics through creative intervention.en_US
dc.identifier.citationOsborne, H. (2017). Figuera: Traversals of Gender in Interactive Fiction (Doctoral thesis, University of Calgary, Calgary, Canada). Retrieved from https://prism.ucalgary.ca.en_US
dc.identifier.doihttp://dx.doi.org/10.11575/PRISM/5230
dc.identifier.urihttp://hdl.handle.net/1880/106234
dc.language.isoenen_US
dc.publisher.facultyArtsen_US
dc.publisher.institutionUniversity of Calgaryen
dc.rightsUniversity of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.en_US
dc.subjectCreative Writingen_US
dc.subjectInteractive Fictionen_US
dc.subjectGenre Fictionen_US
dc.subjectDigital Fictionen_US
dc.subjectQueer Theoryen_US
dc.subjectGender Studiesen_US
dc.subject.classificationLiteratureen_US
dc.subject.classificationLiterature--Englishen_US
dc.titleFiguera: Traversals of Gender in Interactive Fictionen_US
dc.typedoctoral thesisen_US
thesis.degree.disciplineEnglishen_US
thesis.degree.grantorUniversity of Calgaryen_US
thesis.degree.nameDoctor of Philosophy (PhD)en_US
ucalgary.item.requestcopytrue
ucalgary.thesis.checklistI confirm that I have submitted all of the required forms to Faculty of Graduate Studies. (See <a href="http://grad.ucalgary.ca/current/thesis/ethesis">http://grad.ucalgary.ca/current/thesis/ethesis</a> for more details)en_US

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